Small redevelopment, budgetary materials finishes and furniture, as well as painting of local artists, helped turn the Soviet interior of the old cottage into a stylish space with notes of country and Provence.
The inhabitants of the cottage under the tire (a woman with mother, daughter and son) have been thinking over its reconstruction for several years. A two-storey house was built in Soviet times from the most qualitative materials at that time. However, his layout left much to be desired: the premises were small and poorly illuminated, the staircase is a steep and honest, veranda and a balcony on the second floor - inexcluded and cold. To make an idea of the state of the building, we describe the technologies that were involved for its construction.
If necessary, for example, to protect against draft or to maintain heat, the living room can be isolated from the hallway - sufficiently torn tight curtains
Design features
"BASE" - a prefabricated small-gulled belt foundation, more than 30 years ago, perhaps, one of the most progressive types of bases, the outer walls are brick, insulated and clapped by clapboard.
The invited mistress architect Maria Amelina first assessed the state of capital structures. They turned out to be suitable for further operation, and therefore it turned out to do without significant spending time, means and strength.
To distract attention from a small living room area, flooring - laminate with chamfer, reliably imitating the massive board, laid down the diagonal scheme. Center for general purpose accumulated carpet
Redevelopment
The planning of both floors has undergone significant changes. The bearing walls inside the cottage was almost no, which facilitated work with space. For a start to the existing kitchen, a part of the neighboring room was attached. The usual bivalve window in the future dining room zone significantly increased both in the width, and height, turning it into two glazed doors leading to the garden. Thanks to these alterations, the volume intended for cooking and receiving food has become not only more, but also lighter. The intensity of the insolation of the premises of general purpose, including the hallway, was influenced by another architect's solution - interroom overlooks from the living room in the kitchen and the hallmarks are noticeably expanded and left without doors.
The following significant refinement is to reduce the angle of inclination of the stairs. To carry out the planned, the discovery in the inter overlap increased, and the staircase march was partially located over the kitchen modules. Finally, the last two interference in the original layout is the inclusion in its useful area of the veranda on the first floor and the balcony on the second.
The wood fireplace was littered with glossy glazed tiles and decorated with ornamented inserts and border. Paul near the hearth laid out porcelain
The first summer room was glazed, insulated, after which about ⅔ from him was taken under the tambour, the residue is under the boiler room. After the full joining of the balcony on the second floor there was an additional living room. It was used to organize a children's son. By the way, the complex configuration of the room was even on the arm - in the most illuminated part of the room, the work area was asked, in a more shaded - zone of sleep.
Fill the light of the second floor room helped the color palette, composed of very light, highly broken shades of pale and gray
Visual receptions
Several techniques are sent to an optical increase in volumes. So, in the premises, in addition to the top light (the architect uses ceiling lamps, significantly shortening their suspensions) There are always distracting "viewers" sources of local illumination - Sofita, sconce, table lamps. The boundaries between the walls and the ceilings are underlined with stucco cornices. On the first floor, where the rooms are more, the smooth color of the walls is combined with wallpaper, in the attic sheltered pine clapper vertical, inclined and horizontal surfaces are covered with paint, and for each room, its pastel tone is selected.
Part of the furniture remained from the previous situation, it was only repainted into the right tones. The artworks of the author of the project manifested itself in the design of the ladder - each rot of painted with the original ornament
Heating system
Since the cottage is located in an older settlement, it is connected to the main gas. Availability of fuel plus suitable type boiler equipment made it possible to organize a well-thought-out dacha heating system. The main source of heat in the rooms is radiators (in the dining area area, under the French windows, placed the convector built into the floor), an additional - wood fireplace in the living room.
Plumbing premises are insignificant. Room with shower is equipped on the first floor; In the attic, next to the main bedroom and children's, - only a toilet with a washbasin
Architect-designer Maria Amelina
The mistress of the house has a good taste, and in addition, the desired degree of confidence in the designer. Perhaps due to the fact that more than 10 years ago I successfully issued her Moscow apartment. All the existing wooden trim (pine lining) we left, we simply led it in order - Okarili and tinted with pastel shades. The staircase fence also retained, but repainted in white. In the midst of the second floor it turned out (after finalizing) to enter a part of the old furniture, including from IKEA. Interior and color gamut daches resemble Tarusky watercolors - In this city, I hardly imagine my favorite Scandinavian style, Loft or Haytec. Yet the atmosphere of the ancient Russian settlement sets up to retroland. A special place in the house is occupied by painting - a bouquet of phloxes (in the living room) and a couple of landscapes (on the second floor) belong to the brushes of the famous artist Semen Agroskin. The Hall of the second floor is decorated with painting Mikhail Pelipenko and atmospheric works of Maria Shalito. The second I have long wanted to use in my interiors, but they needed a special mood. Collages in the children's daughter and the hallway - Vadim Demushkin, in the kitchen - local Tarusk mosaics.
Living room
Living room
Living room
Living room
Dining room
Kitchen
Kitchen
Bedroom
Children's
Children's
Designer: Maria Amelina
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